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April 2027
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Wagner
Thursday 08 April
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Wagner
Sunday 11 April
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Wagner
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Opera
Siegfried
Wagner
Wagner Siegfried 5, 8, 11 & 15 april 2027 Opera
Conductor Gianluca Capuano
Director Davide Livermore

Wagner Siegfried

Opera
Monday 05 April 2027 - 18 h (Gala evening)
Thursday 08 April 2027 - 18 h
Sunday 11 April 2027 - 15 h
Thursday 15 April 2027 - 18 h
Opéra de Monte-Carlo

Opera in three acts
Music by Richard Wagner (1813-1883) 
Libretto by Richard Wagner
Premiere: Bayreuth, Festspielhaus Bayreuth, 16 august 1876 

New production

In the third part of Der Ring des Nibelungen, we meet Siegfried, Wagner’s vision of, like it or not, a truly Germanic superhero, inspired by the writings of Friedrich Nietzsche: he is attractive and strong, a kind of promethean Übermensch, independent and free from social or moral restrictions. Since Siegfried is “one who does not know fear”, it is for him to weald together the pieces of the magic sword Nothung, smashed when his father Siegmund died in Die Walküre.

The reconstructed weapon soon paves the young man’s way to the Ring. Unaware of the worth of his new toy, Siegfried finally arrives at a great rock, which is surrounded by fire. He carelessly breaks the spear of an old man barring his way (Wotan, whose remaining powers are thus crushed forever). Then, he mounts the rock and beholds a wondrous being: Brünnhilde, the former goddess and now a woman. He awakens her with a kiss and both fall madly in love.

Siegfried’s music contains some of Wagner's most magnificent depictions of nature, such as the green depths of a German forest, and one of the most thrilling moments in opera history: when Brünnhilde opens her eyes and first sees the light of sun again after her long years of slumber.

Production team
Conductor | Gianluca Capuano
Director | Davide Livermore
Sets | Eleonora Peronetti, Paolo Gep Cucco & Davide Livermore
Costumes | Gianluca Falaschi
Lighting design | Antonio Castro
Videos | D-Wok
Cast
Siegfried | Brett Sprague
Mime | Michael Laurenz
Wanderer | Derek Welton
Alberich | Peter Kálmán
Fafner | Wilhelm Schwinghammer
Erda | Ekaterina Semenchuk
Brünnhilde | Nancy Weissbach
Waldvogel | Chelsea Zurflüh
Les Musiciens du Prince - Monaco
Conversation between Siegfried, Mime and the Wanderer

In a deep forest clearing, near the cave of the dragon Fafner, the air stands still. In the distance, the beast’s breath can be heard. Three figures meet: Siegfried, the young hero who knows no fear; Mime, the dwarf blacksmith who raised him; and a mysterious Wanderer, none other than Wotan, the god condemned to witness the end of his own world. 

Mime: Siegfried! Where have you been? I’ve been looking for you all day! Where’s the sword — have you finished reforging it yet? 

Siegfried: Always the sword, Mime… always the dragon, the treasure, the ring. Tell me the truth: why do you want that ring so badly? 

Mime (hesitant): Because with it, I will finally be free! All my life I have been scorned by the gods, crushed by giants, deceived by men, humiliated by my own brother. With the ring, no one will ever command over me again. 

The Wanderer: You are mistaken, Mime. The ring does not grant freedom. It grants power. And power binds you more firmly than fear. 

Mime (suspicious): You… I recognise you. You are the one who knows everything and speaks in riddles. Who are you, really? 

The Wanderer: A man who sought too hard to understand the world… and now watches it slip away from him. 

Siegfried: I want to understand too. But no one will tell me who my parents were. No one will tell me where I come from. They only want me to kill a dragon I have never even seen. 

Mime (irritated): Because it is your destiny! 

Siegfried: Everyone talks about my destiny. But no one ever asks what I want. 

The Wanderer: And what do you want, Siegfried? 

Siegfried: I want to know who I am. I want to discover the world. I want to encounter what people call fear. Everyone says I should tremble, but I don’t even know what that means. 

Mime (scoffing): Trust me, you’ll learn quickly when you face the dragon. 

The Wanderer: Perhaps. But he will learn fear when he encounters love. 

Siegfried (surprised): Love? What has fear to do with love? 

The Wanderer: To love is to fear loss. To fear suffering. To fear death. Men call that love. The gods call it the end. 

Siegfried: Then perhaps fear is not a weakness. Perhaps it is what makes us alive. 

Mime (impatient): Very well, philosophise if you must — but first kill the dragon! Afterwards, you can think about all this! 

Siegfried (laughing): Everyone lives for “after”. After the dragon, after the treasure, after the victory… I want to live now. 

The Wanderer (fixing him with his gaze): Then you are truly free. And that is why you are dangerous. 

Siegfried: Dangerous? To whom? 

The Wanderer: To those who have built their power on fear. To the gods. To me. 

(A silence. The wind rises. The dragon’s breath can be heard in the distance.) 

Siegfried (taking up the sword): I do not yet know who I am. But I will find out. 

Mime (aside): Yes… go on. And I will take the ring. 

The Wanderer (aside): Yes… and with it will come the end of the gods. 

Siegfried (turning back one last time): Old man, if the world must end, then someone must build a new one. 

The Wanderer: Perhaps. But those who build worlds are not those who seek power. They are those who do not know fear. 

Siegfried: Then I will go to the very end. 

(Siegfried disappears into the forest towards the cave. The Wanderer watches him go.) 

The Wanderer (softly): Go, Siegfried. You are innocence, freedom… and the end of our story. 

(In the distance, the dragon roars. But for the first time, it is not the dragon that inspires fear. It is the future.) 
 


© Siegfried und Brunnhilde, Charles Ernest Butler